This version of Diana Prince may not have any superpowers, but that doesn’t mean she finds it any more difficult fighting her opponents quite the opposite, in fact. Smith’s volatile henchman George (Andrew Prine), George’s own underlings, and another Amazon (Anitra Ford) who’s gone rogue. Smith, Diana heads off to Paris on his tail. Correctly surmising that the mysterious organization is headed by the elusive Mr. A mysterious organization has stolen a book with the names and identities of 39 undercover federal operatives, which they are threatening to put on the black market unless the government pays them enough money. Nevertheless, she still has bad guys to catch.Īfter a brief introduction that sees her bidding farewell to her Amazonian sisters, we find Wonder Woman posing as a secretary to government agent Steve Trevor (who knows her true identity). Besides the nomenclature, there’s surprisingly little about this Diana Prince that seems at all familiar. Besides her blondeness, this iteration wears a more modest take on the famous costume, no-one gets the truth lassoed out of them, and no bullets are deflected by her bracelets (though there is a passing mention of her invisible plane). Taking its cue from the “I Ching” era of the comic books, when Wonder Woman went powerless for several years, the 1974 MOTW imagines her as a spy rather than a superhero.
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In her first feature-length live-action adventure, the titular heroine was played by Cathy Lee Crosby: A former professional tennis player, and-prepare yourself-a blonde! That’s just the first of many ways in which the 1974 take on Wonder Woman, intended as a series pilot, diverges from all those that would follow. Even in the lesser examples, however, there’s usually a lot to enjoy.
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While this column was birthed from a love of the ABC Movie of the Week, and a desire to highlight editions that are more thematically and/or artistically interesting than TV movies are often given credit for, the fact remains-they aren’t all winners. This is Movie of the Week (of the Month).
Every month, Chloe Walker revisits one of these movies. They functioned as TV pilots, testing grounds for up-and-coming filmmakers, and places for new and old stars to shine. From 1969 to 1975, ABC put out weekly films.
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